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 Hello and welcome to my blog!

I hope to use this to help me keep track of my media related projects such as for my Television Production degree.

Here's a photo from a trailer shoot for our fantasy, sci-fi show What Comes After, which I produced for one of my second year productions before lockdown.

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My Aesthetic

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 Moodboard One: Fantasy/Sci-Fi Focus on muted natural colours, lots of green, brown, cream etc, but also pops of colour such as orange and red. Feels naturalistic and immersive- doesn't distract. Moodboard Two: 20th Century Period Dramas Focus on replicating the feel of a place and time, costumes and settings that work together,. some clashing and some highlighting one or the other to grab the audience's attention. Overall, I like the use of muted, natural colours, combined with pops of colour and/or light to draw attention to the intended focal point.
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My thoughts on Alexander Mackendrick's Writer's Cards

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  In one of our earlier Fiction Storytellers seminar, I was introduced to Alexander Mackendrick's Writer's Cards. These cards express his thoughts on filmmaking, story, directing and more. Below are some of the ones that stood out to me the most (in no particular order): "Props: are the director's key to the design of incidental business': unspoken suggestions for behaviour that can prevent 'theatricality'." I feel this sums up why I enjoy mise-en-scene so much and shows where the settings is as much a character as anything else. It's a way to provide depth without exposition. "If it can be cut out, then cut it out. Everything non-essential that you can eliminate strengthens what's left." This I find is something that comes with experience. When I think back to past films I've done, I could quite easily re-cut the footage to be half the run time. Perhaps this is due to time, and being more distanced to the project so it is easier ...
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Feelings

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 A few weeks ago, in one of our seminars, Trevor brought up the importance of intention- what do you want the audience to feel? He expressed how storytellers are managers of emotion, and manipulate what the audience should be thinking and feeling.  We had a task to come up with a very short scene where we were meant to be conveying emotion to the audience- however retrospectively I definitely didn't do this. However, realising that has made me realise what the intention of feeling really means and how you could go about this. One thing that I find very obvious about me when I watch a show, is that if its something that I really like, I get attached to it and will think about it for a long time afterwards. I'm more likely to be able to explain TV shows I haven't seen in years but I was deeply engaged with at some point, then something that I watched casually a week ago (although it's very unlikely I'll watch something casually at this point past an episode or two).  ...
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